The purpose of the Cambridge Edition of the Works of Schopenhauer is to offer translations of the best modern German editions of Schopenhauer's work in a uniform format for Schopenhauer scholars, together with philosophical introductions and full editorial apparatus. The World as Will and Representation contains Schopenhauer's entire philosophy, ranging through epistemology, metaphysics, philosophy of mind and action, aesthetics and philosophy of art, to ethics, the meaning of life and the philosophy of religion. This second volume (...) was added to the work in 1844, and revised in 1859. Its chapters are officially 'supplements' to the first volume, but are indispensable for a proper appreciation of Schopenhauer's thought. Here we have his most mature reflections on many topics, including sex, death, conscious and unconscious desires, and the doctrines of salvation and liberation in Christian and Indian thought. Schopenhauer clarifies the nature of his metaphysics of the will, and synthesizes insights from a broad range of literary, scientific and scholarly sources. This new translation reflects the eloquence and power of Schopenhauer's prose, and renders philosophical terms accurately and consistently. It offers an introduction, glossary of names, bibliography, and succinct editorial notes. (shrink)

This article is an examination of Schopenhauer’s evaluation of the comparative philosophical merits of modern European and ancient Indian idealism. Schopenhauer was an enthusiastic advocate of Indian wisdom, but it is rarely noted that he excluded it from the history of philosophy proper. Although he traced the origin of the “fundamental” viewpoint of idealism to the ancient ṛṣis of India, he also maintained that it had not received its properly philosophical articulation and defence until Kant. But when we (...) probe beyond Schopenhauer’s effusive estimations of Kant’s achievements and seek out his conception of idealism’s epistemological and logical bases, they appear rather flimsy and insubstantial. It turns out that Schopenhauer thought that idealism originated in and is validated by a rare state of mind to which he gave the name “philosophical discernment” (philosophische Besonnenheit), a pre-rational and intuitive condition that conceptual proofs merely justify after the event. Schopenhauer’s emphasis upon the primacy of intuition and discernment over reflective reason tends to undermine his official account of the philosophical attributes of post-Kantian idealism, while comparison of his historical surveys on the cultural status of idealism in India and Europe respectively suggests that the former was the healthier and more durable species. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

With the publication of the Parerga and Paralipomena in 1851, there finally came some measure of the fame that Schopenhauer thought was his due. Described by Schopenhauer himself as 'incomparably more popular than everything up till now', the Parerga is a miscellany of essays addressing themes that complement his work The World as Will and Representation, along with more divergent, speculative pieces. It includes his 'Aphorisms on the Wisdom of Life', reflections on fate and clairvoyance, trenchant views on (...) the philosophers and universities of his day, and an enlightening survey of the history of philosophy. The present volume offers a new translation, a substantial introduction explaining the context of the essays, and extensive editorial notes on the different published versions of the work. This readable and scholarly edition will be an essential reference for those studying Schopenhauer, the history of philosophy, and nineteenth-century German philosophy. (shrink)

As composer Richard Wagner noted, with Schopenhauer one may finally give voice to the secretly held belief that the world is bad. This blunt honesty was Schopenhauer's trademark. Perhaps no philosopher equaled him in relatinf metaphysical speculation to the seemingly random events of everyday life. This volume includes " On Thinking for Oneself," "On the Affirmation of the Will-to-Live," "On Suicide," "The World as Will: Second Aspect," "On the Fundamental View of Idealism," "On the Metaphysics of Music," "The (...) Foundation of Ethics," and other essential writings. (shrink)

Arthur Schopenhauer was one of the greatest writers and German philosophers of the nineteenth century. His work influenced figures as diverse as Wagner, Freud and Nietzsche. Best known as a pessimist, he was one of the few philosophers read and admired by Wittgenstein. In this comprehensive introduction, Julian Young covers all the main aspects of Schopenhauer's philosophy. Beginning with an overview of Schopenhauer's life and work, he introduces the central aspects of his metaphysics fundamental to understanding his (...) work as a whole: his philosophical idealism and debt to the philosophy of Kant; his attempt to answer the question of what the world is; his account of science; and in particular his idea that 'will' is the essence of all things. Julian Young then introduces and assesses Schopenhauer's aesthetics, which occupy a central place in his philosophy. He carefully examines Schopenhauer's theories of the sublime, artistic genius and music, before assessing his ethics of compassion, his arguments for pessimism and his account of 'salvation'. In the final chapter, he considers Schopenhauer's legacy and his influence on the thought of Nietzsche and Wittgenstein, making this an ideal starting point for those coming to Schopenhauer for the first time. (shrink)

The historical and typological failure to represent in writing the phenomenon of the moment--light, wonder, love, unity, god, etc.--has repeatedly turned into the success of performance: writing. An examination of the various textualizations of the moment reveals it as a signifier that empties itself of the meaning it is supposed to signify, while instead it generates ever new meaning. Therefore the historical and typological textualizations of the moment of epiphany, dialectical change, recollection, deferral, etc., must be read as a genealogy (...) and an economy . This reading of the moment consists in a three-part discussion of philosophical and literary texts on epiphany in Plato and Dante, on the romantic moment in Kant, Schelling, Schopenhauer, Kierkegaard, and Wordsworth, and on the post/modern moment in Heidegger, Adorno, Nietzsche, Derrida, Goethe, Musil, and Beckett. The romantic moment deserves special attention because of its instability in foregrounding presence and absence. An intimate relationship can be seen between the romantic moment of instability and the post-modern moment of a regulated instability which ultimately shows that the romantic/post-modern moment constitutes the momentum of all previous periods and textualizations of the moment. This examination of the genealogical and economic shapings of the moment reveals it as a rhetorical device. In terms of a politics of semiotics the moment always performatively subverts its political representation. (shrink)

This paper raises complication for the standard interpretive view of Liebniz's mature metaphysical system as idealist. Body-realist affirmations are found in his writings up to his death, in bulk and diversity very difficult to accommodate to phenomenalist or idealist construal. Claims of Leibnizian inconsistency and indecisiveness do not seem adequately to account for them. The view that body is real for Liebniz, though not a substance, is explored. Alternative non-idealist interpretations of the system are considered, the most (...) plausible argued to be a variety of dualism. At the same time, dialectical features of Leibnizian philosophy make it a matter of proper caution not to settle emphatically on a decided conclusion of the issue. (shrink)

Arthur Schopenhauer did not believe in soul. However, he explained that every living thing is possessed by a will. Will is universal. Suffering is universal. Even so, he thought it ethically wrong to cause undue suffering to any person or animal. As a student of Buddhism, Schopenhauer was intrigued by the Buddhist belief in rebirth. I will explore how both Schopenhauer’s idea of the ever-present will and Buddhist rebirth are similar in their concern with and for continuity. (...) For Schopenhauer, continuity is will and for Buddhism, as Frank Hoffman (1987) explains, “continuity is without identity of selfsame substance” (p. 53). If all living things are attached by continuity whether by will or “without identity of self-same substance” then what is foundational to the beginning of an ethics of existence is the valuing of that which is attached by continuity, and this includes both human and animal life. (shrink)

Arthur Schopenhauer (1788-1860) was a system philosopher in the grand tradition of classical German idealism. Broadly an adherent of Kant’s transcendental idealism, he is now most noted for his belief that Kant’s thing in itself can best be described as ‘will’, something he argued in his 1819 work The World as Will and Representation (WWRI 124/H 2:119). Schopenhauer’s term ‘will’ does not refer primarily to human willing, that is, conscious striving towards a goal. Following Kant he argues that (...) willing remains conditioned by the forms of representation and therefore cannot be identified with the thing-in-itself. To reach the thing-in-itself, all forms of representation must be removed to arrive at a conception of will as striving without a goal. This conception is at the root of Schopenhauer’s pessimism: willing is experienced by conscious beings as suffering; and the world, including each of us, is in-itself endless willing without the possibility of satisfaction. Only two things hold out the prospect of any relief: the disinterested contemplation of works of art provides temporary respite from the striving will for the many; and a very few saintly beings may be able to still or quiet the will completely and achieve a state that Schopenhauer identifies as nirvana. These concerns—with suffering, meaning, asceticism and renunciation—are already problems in moral philosophy in a wide sense. But Schopenhauer also has a moral philosophy in the ‘narrower’ sense (WWRII 589/H 3:676; Cartwright 1999) that addresses questions such as freedom of the will, moral responsibility, the proper criterion for right action, moral motivation, and the virtues and vices. Indeed Schopenhauer makes a distinctive and quite contemporary contribution to virtue theory, advocating compassion (Mitleid) as the source of all human virtues. (shrink)

Arthur Schopenhauer was one of the greatest writers and German philosophers of the nineteenth century. His work influenced figures as diverse as Wagner, Freud and Nietzsche. Best known as a pessimist, he was one of the few philosophers read and admired by Wittgenstein. In this comprehensive introduction, Julian Young covers all the main aspects of Schopenhauer's philosophy. Beginning with an overview of Schopenhauer's life and work, he introduces the central aspects of his metaphysics fundamental to understanding his (...) work as a whole: his philosophical idealism and debt to the philosophy of Kant; his attempt to answer the question of what the world is; his account of science; and in particular his idea that 'will' is the essence of all things. Julian Young then introduces and assesses Schopenhauer's aesthetics, which occupy a central place in his philosophy. He carefully examines Schopenhauer's theories of the sublime, artistic genius and music, before assessing his ethics of compassion, his arguments for pessimism and his account of 'salvation'. In the final chapter, he considers Schopenhauer's legacy and his influence on the thought of Nietzsche and Wittgenstein, making this an ideal starting point for those coming to Schopenhauer for the first time. (shrink)

Arthur Schopenhauer was one of the greatest writers and German philosophers of the nineteenth century. His work influenced figures as diverse as Wagner, Freud and Nietzsche. Best known as a pessimist, he was one of the few philosophers read and admired by Wittgenstein. In this comprehensive introduction, Julian Young covers all the main aspects of Schopenhauer's philosophy. Beginning with an overview of Schopenhauer's life and work, he introduces the central aspects of his metaphysics fundamental to understanding his (...) work as a whole: his philosophical idealism and debt to the philosophy of Kant; his attempt to answer the question of what the world is; his account of science; and in particular his idea that 'will' is the essence of all things. Julian Young then introduces and assesses Schopenhauer's aesthetics, which occupy a central place in his philosophy. He carefully examines Schopenhauer's theories of the sublime, artistic genius and music, before assessing his ethics of compassion, his arguments for pessimism and his account of 'salvation'. In the final chapter, he considers Schopenhauer's legacy and his influence on the thought of Nietzsche and Wittgenstein, making this an ideal starting point for those coming to Schopenhauer for the first time. (shrink)

Schopenhauer is widely recognized as the Western philosopher who has shown the greatest openness to Indian thought and whose own ideas approach most closely to it. This book examines his encounter with important schools of Hindu and Buddhist philosophy and subjects the principal apparent affinities to a careful analysis. Initial chapters describe Schopenhauer’s encounter with Indian thought in the context of the intellectual climate of early nineteenth-century Europe. For the first time, Indian texts and ideas were becoming available (...) and the belief that they could bring about a second Renaissance—an “Oriental Renaissance”—was widespread. Schopenhauer shared in this enthusiasm and for the rest of his life assiduously kept abreast of the new knowledge of India. Principal sections of the book consider the two main pillars of Schopenhauer’s system in relation to broadly comparable ideas found, in the case of Hindu thought, in Advaita Vedānta, and within Buddhism in the Mādhyamika and Yogācāra schools. Schopenhauer’s doctrine of the world as representation, or a flow of impressions appearing in the consciousness of living beings, is first considered. The convergence between this teaching and Indian idealism, especially the doctrine of illusory appearance, has long been recognized. Schopenhauer himself was aware of it, emphasizing that it was the result not of influence but of a remarkable convergence between Eastern and Western thought. This convergence is subjected to a much more detailed examination than has previously been carried out, undertaken in the light of twentieth-century Indology and recent studies of Schopenhauer. The second main pillar of Schopenhauer’s system, the doctrine of the world as will, is then examined and its relationship to Indian thought explored. This section of the work breaks new ground in the study of Schopenhauer, for although the similarity of his ethical and soteriological teaching to that of Indian religions has long been noted the underlying reasons for this have not been grasped. It is demonstrated that they are to be found in hitherto unrecognized affinities, of which Schopenhauer himself was largely unaware, between the metaphysics of the will and Indian ideas relating to karmic impressions, the store-consciousness, the causal body, and śakti as the “force” or “energy” that maintains the existence of the world. Final chapters discuss the controversial and difficult question of the relation of the will to final reality in Schopenhauer’s thought in the light of Indian conceptions, and suggest that the two central pillars of his philosophy may be seen, to a greater extent than previously supposed, as a bridge by which the Eastern and Western traditions of philosophical thought may be brought into a closer and more creative relationship. (shrink)

Schopenhauer is widely recognized as the Western philosopher who has shown the greatest openness to Indian thought and whose own ideas approach most closely to it. This book examines his encounter with important schools of Hindu and Buddhist philosophy and subjects the principal apparent affinities to a careful analysis. Initial chapters describe Schopenhauer’s encounter with Indian thought in the context of the intellectual climate of early nineteenth-century Europe. For the first time, Indian texts and ideas were becoming available (...) and the belief that they could bring about a second Renaissance—an “Oriental Renaissance”—was widespread. Schopenhauer shared in this enthusiasm and for the rest of his life assiduously kept abreast of the new knowledge of India. Principal sections of the book consider the two main pillars of Schopenhauer’s system in relation to broadly comparable ideas found, in the case of Hindu thought, in Advaita Vedānta, and within Buddhism in the Mādhyamika and Yogācāra schools. Schopenhauer’s doctrine of the world as representation, or a flow of impressions appearing in the consciousness of living beings, is first considered. The convergence between this teaching and Indian idealism, especially the doctrine of illusory appearance, has long been recognized. Schopenhauer himself was aware of it, emphasizing that it was the result not of influence but of a remarkable convergence between Eastern and Western thought. This convergence is subjected to a much more detailed examination than has previously been carried out, undertaken in the light of twentieth-century Indology and recent studies of Schopenhauer. The second main pillar of Schopenhauer’s system, the doctrine of the world as will, is then examined and its relationship to Indian thought explored. This section of the work breaks new ground in the study of Schopenhauer, for although the similarity of his ethical and soteriological teaching to that of Indian religions has long been noted the underlying reasons for this have not been grasped. It is demonstrated that they are to be found in hitherto unrecognized affinities, of which Schopenhauer himself was largely unaware, between the metaphysics of the will and Indian ideas relating to karmic impressions, the store-consciousness, the causal body, and śakti as the “force” or “energy” that maintains the existence of the world. Final chapters discuss the controversial and difficult question of the relation of the will to final reality in Schopenhauer’s thought in the light of Indian conceptions, and suggest that the two central pillars of his philosophy may be seen, to a greater extent than previously supposed, as a bridge by which the Eastern and Western traditions of philosophical thought may be brought into a closer and more creative relationship. (shrink)

Arthur Schopenhauer was one of the greatest writers and German philosophers of the nineteenth century. His work influenced figures as diverse as Wagner, Freud and Nietzsche. Best known as a pessimist, he was one of the few philosophers read and admired by Wittgenstein. In this comprehensive introduction, Julian Young covers all the main aspects of Schopenhauer's philosophy. Beginning with an overview of Schopenhauer's life and work, he introduces the central aspects of his metaphysics fundamental to understanding his (...) work as a whole: his philosophical idealism and debt to the philosophy of Kant; his attempt to answer the question of what the world is; his account of science; and in particular his idea that 'will' is the essence of all things. Julian Young then introduces and assesses Schopenhauer's aesthetics, which occupy a central place in his philosophy. He carefully examines Schopenhauer's theories of the sublime, artistic genius and music, before assessing his ethics of compassion, his arguments for pessimism and his account of 'salvation'. In the final chapter, he considers Schopenhauer's legacy and his influence on the thought of Nietzsche and Wittgenstein, making this an ideal starting point for those coming to Schopenhauer for the first time. (shrink)

This series of lectures was originally scheduled to include a talk on Schopenhauer by Patrick Gardiner. Sadly, Patrick died during the summer, and I was asked to stand in. Patrick must, I am sure, have been glad to see this series of talks on German Philosophy being put on by the Royal Institute, and he, probably more than anyone on the list, deserves to have been a part of it. Patrick Gardiner taught and wrote with unfailing integrity and quiet (...) refinement in the Oxford of the 1950s, '60s, '70s and '80s, when the changing fashions in philosophy, and Oxford philosophy in particular, were quite remote from his own central interests. He went his own way, radically but quite undemonstratively. His book on Schopenhauer, originally published in 1963, was a beacon in the night as far as English-language publications on that philosopher are concerned. It is still a leader in the field, and I am pleased to say it has been re-issued just this year after being out of print for too long. Patrick worked in aesthetics, on Kant, and on the German Idealists, showing an expertise and a fondness for Fichte which now seem well ahead of their time. He also contributed well known books on Kierkegaard and on the philosophy of history. I am honoured to be invited as Patrick's replacement. He was a true pioneer, whom all of us working in these several fields that have now grown more fashionable and more populated should pause to salute. (shrink)

In Britain and, I think, America at least the “idealist movement” in philosophy is very widely regarded as a spent force, as a subject only for historical study. There are indeed different definitions of “idealism.” The term was defined explicitly by at least one distinguished British philosopher as covering “all those philosophies which agree in maintaining that spiritual values have a determining voice in the ordering of the universe.” This doctrine, though unfortunately less vocal than it was, has by (...) no means died out, and will not as long as there are theists who talk about God in any but a subjectivist sense. But a theist would not usually be called an idealist unless he based his theism on a particular kind of approach to the problems of metaphysics. Further, the term “idealist” would also be applied to a pessimist like Schopenhauer, for whom evil rather than good was conceived as predominant and whose philosophy could certainly not be described in the above terms. Some would apply it to philosophers who did not make any positive metaphysical assertion but only insisted that we had to reduce the concept of physical objects to a concept for organising human experience. Like -isms in general the term “idealism” has therefore a distinctly varied connotation; but in its most characteristic and influential form it was an attempt to give a philosophical proof of the essential doctrines of religion or at least of something which, though not identical with orthodox Christianity, provided an adequate substitute for it, being the philosophical truth which the teachings of the Church metaphorically expressed. (shrink)

The feeling of the sublime is, says Kant, the bitter-sweet combination of fear and utter security that one experiences in the face of, for instance, the night sky or the raging torrent. Fear of what? Fear of - this, I suggest, was Kant's seminal insight - death. But how can these feelings co-exist? Surely the one cancels the other out? Schopenhauer's great insight, I argue, was that the explanation of the sublime requires a division of the personality into two (...) - a threatened self and an unthreatened one. The feeling of "being safe whatever happens" comes from a primary identification with the individual-transcending self. The trouble, however, with Schopenhauer's account is that, based as it is on his version of idealism, it represents the entire world of nature as being absorbed into the content of the transcendent subject's consciousness. This makes the feeling of the sublime a kind of egoism, a contraction of the vastness of nature into the content of "my" consciousness. And this gets things precisely wrong, I suggest, since the feeling of the sublime is, in truth, an "oceanic" feeling, an expansion of the self into the vastness of being. What this shows, I conclude, is that to understand the sublime we actually need not idealism but a kind of realism; specifically, Heidegger's, as I call it, "magic" realism. (shrink)

In two lively and independent essays, Rosset builds a good case for an appreciation of Schopenhauer's importance in the history of philosophy by treating those aspects of his thought which signal a definitive rupture with classical philosophy and merit his being aligned with the spirit of modern times. These aspects, each the subject of one of the essays, are the genealogical treatment of ideas and the intuition of the absurd. The author establishes Schopenhauer's originality in both of these (...) areas, outlining Schopenhauer's direct influence on Nietzsche, his parallels with Marx, and his possible links with Freud. At no point does he inflate the influence of Schopenhauer's but vaguely formulated ideas which invite comparison with their more developed expressions in other philosophers. Rosset does, however, contend that Schopenhauer was most original in his central intuition of the absurd, being the first to construct a philosophy upon this vision. In this regard, the author's consideration of the Schopenhauerian themes of finality, desire, necessity, and static time is excellent. He maintains convincingly that the usual interpretation of Schopenhauer, which emphasizes the Romantic themes of pessimism, esthetic idealism, and a morality of pity and renouncement, stresses only secondary aspects of his thought. A more balanced picture of Schopenhauer reveals an almost Beckettian tragi-comic [[sic]] view of life.—C. M. R. (shrink)

"Kant, Kantianism and Idealism" presents an overview of German Idealism, the major movement in philosophy from the late 18th to the middle of the 19th Century. The period was dominated by Kant, Fichte, Schelling and Hegel, whose work influenced not just philosophy, but also art, theology and politics. The volume covers not only these major figures but also their main followers and interpreters. These include Kant's younger contemporary Herder, his early critics such as Jacobi, Reinhold, and Maimon, and his readers (...) Schiller and Schlegel - who shaped much of the subsequent reception of Kant in art, literature and aesthetics - as well as Schopenhauer, whose unique appropriation and criticism of theories of cognition later had a decisive influence on Nietzsche. The "Young Hegelians" - such as Bruno Bauer, Ludwig Feuerbach, and David Friedrich Strauss, whose writings would influence Engels and Marx - are also discussed. The influence of Kant and German Idealism also extended into France, shaping the thought of such figures as Saint-Simon, Fourier, and Proudhon, whose work would prove decisive for subsequent philosophical, political, and economic thinking in Europe in the second half of the 19th century. (shrink)

One of Schopenhauer’s pinnacle contributions to philosophy was the discovery of the nature of the noumenon. Whereas Kant was content to leave the question of the thing-in-itself forever a mystery, Schopenhauer devised a strategy by which to peer beyond the veil of phenomena. The key which unlocks the mystery of the noumenon lies in Schopenhauer’s analysis of bodily agency as an examination of concrete acts of willing presents “a way from within … to that real inner nature (...) of things to which we cannot penetrate from without” and thereby opens, “so to speak, a subterranean passage, a secret alliance, which, as if by treachery, places us all at once in the fortress that could not be taken by attack from without.”. (shrink)

When I first became acquainted with the thought of the American philoso pher Josiah Royce, two factors particularly intrigued me. The first was Royce's claim that the notion of community was his main metaphysical tenet; the second was his close association with the two American pragmatists, Charles Sanders Peirce and William James. Regarding the first factor, I was struck by the fact that a philosopher who died in 1916 should emphasize a topic of such contemporary significance not only in philosophy (...) but in so many other vital fields as well (sociology, psychology, politics, theology - to name only a few). Regarding the second, I was curious as to whether the pragmatism of Peirce and James might have influenced Royce during the course of their professional and personal contacts. Similarly, I wondered whether the idealism of Royce might have affected the thought of Peirce and James. To have appeased my curiosity in regard to all three thinkers, however, would have required (at least) three books. As a start I have now appeased it in regard to one. In researching the writings of Royce I found my way to the Houghton Library and to the Archives of Harvard University at Cambridge, Massa chusetts, where the unpublished manuscripts of Royce are preserved. (No editing job has yet been done on this bulk of material, though such would certainly be a welcome contribution to American philosophy. (shrink)

In an essay on pantheism Schopenhauer observes that his chief objection against it is that it says nothing, that it simply enriches language with a superfluous synonym of the word “world.” It can hardly be denied that by this remark the great pessimist, who was himself an atheist, scored a real point. For if a philosopher starts off with the physical world and proceeds to call it God, he has not added anything to the world except a label, a (...) label which, if we take into account the ordinary significance of the word “God,” might well appear unnecessary and superfluous: one might just as pertinently say that the world is the world as that the world is God. Neither the Jew nor the Christian nor the Moslem understand by “God” the physical world, so that, if someone calls the physical world God, he cannot be taken to mean that the world is God according to the Jewish or Christian or Moslem understanding of God. Does he mean any more than that the physical world is ultimately self-explanatory, that no Cause external to the world, no transcendent Being is requisite or admissible, i.e. that there is no God? If that were all there is in pantheism, the latter would indeed be indistinguishable from atheism, and those who called Spinoza an atheist would be fully justified. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Ästhetische Autonomie als Abnormität: Kritische Analysen zu Schopenhauers Ästhetik im Horizont seiner Willensmetaphysik by Barbara NeymeyrGünter ZöllerBarbara Neymeyr. Ästhetische Autonomie als Abnormität: Kritische Analysen zu Schopenhauers Ästhetik im Horizont seiner Willensmetaphysik. Berlin: Walter de Gruyter, 1996. Pp. x + 430. Cloth, DM 250.00.Like a latter-day Janus, Schopenhauer faces the history of philosophy in two directions. As a self-proclaimed follower of Kant and one-time student of Fichte, he (...) partakes in the development of transcendental-idealist philosophy at the beginning of the nineteenth-century. When published in 1818, Schopenhauer’s four-part system of philosophy in The World as Will and Representation, consisting of an epistemology, a philosophy of nature, an aesthetics, and an ethics, was the first philosophical system of German idealism executed in detail. Yet with his orientation toward the natural sciences, from which he sought confirmation of his metaphysics, and through the delayed reception of his work, which began only in the 1850s, Schopenhauer seems to belong to the later nineteenth century, as an immediate precursor of Nietzsche. At the systematic level, the double orientation of [End Page 475] Schopenhauer’s philosophy finds expression in the concurrence of two types of philosophical theory in his work: a transcendental philosophy based on the correlation between a nonworldly subject of cognition and its world of objects, structured according to the basic forms of the principle of sufficient reason, and a metaphysics of the will based on the ultimate reality of everything and everyone as will.The systematic instability that threatens Schopenhauer’s double philosophy of transcendental idealism and voluntaristic metaphysics has prevented his work from being included in the canonical tradition of classical German philosophy and has resulted in a reductive and selective appropriation of parts and aspects of his work, especially focussing on his philosophy of music and his ethics of pity. But recently a number of authors have begun to explore and explain the overall, systematic dimension and potential of Schopenhauer’s philosophy. Rudolf Malter has argued forcefully and in great detail for the significance of Schopenhauer as a key figure in the transcendental tradition from Kant to Heidegger, and John Atwell has laid open the systematic ambition and scope of Schopenhauer’s philosophical project of an anthropomorphic cosmology.1Barbara Neymeyr’s thorough and well-informed reading of Schopenhauer’s aesthetics continues this trend toward a systematic Schopenhauer interpretation. The specific focus of her work, a revised doctoral dissertation that had been directed by Gerold Prauss (Freiburg i. Br.), is the systematic integrity, or lack thereof, of Schopenhauer’s metaphysics of the beautiful. The study soon widens to consider the background of Schopenhauer’s aesthetics in his overall metaphysics of the will. Neymeyr argues that the aesthetic in Schopenhauer occupies a decidedly abnormal systematic position. The norm from which the aesthetic seems to deviate in a radical way is the heteronomy of the intellect in the service of the all-powerful will. Normally, in the nonaesthetic attitude, the intellect is only a tool of the will, providing cognitive illumination to the latter’s originally blind striving. Abnormally though, in the aesthetic attitude, the intellect is supposed to achieve temporary freedom from the will. (Lasting emancipation is afforded only by the ethical, understood as ascetic denial of all willing.) Yet, as Neymeyr argues, in the absence of the will’s driving force, there is no positive basis for any self-determination and intentional activity on the part of the emancipated as well as emaciated aesthetic intellect. Moreover, the role of the will as ultimate reality in Schopenhauer suggests to Neymeyr that the apparent aesthetic emancipation of the intellect from the will is still a case of the will’s ultimate, although clandestine mastery over the intellect. The liberation of the aesthetic intellect from the will is at bottom, so Neymeyr, the cosmic will’s self-liberation from its manifestation as individual will. Thus for Neymeyr, aesthetic autonomy constitutes an inadmissable abnormality in Schopenhauer’s systematic philosophy.Exhibiting great ingenuity and extensive familiarity with the entire corpus of Schopenhauer’s writings, Neymeyr tracks the various levels and forms of inconsistency that [End Page 476] plague Schopenhauer’s aesthetic... (shrink)

Idealism has not been well treated by recent philosophy in the Anglo-American Analytic tradition. When I was an undergraduate the situation did not differ markedly from that in Ryle’s time, fifty years previously.

First published in 1818, The World as Will and Representation contains Schopenhauer's entire philosophy, ranging through epistemology, metaphysics, philosophy of mind and action, aesthetics and philosophy of art, to ethics, the meaning of life and the philosophy of religion, in an attempt to account for the world in all its significant aspects. It gives a unique and influential account of what is and is not of value in existence, the striving and pain of the human condition and the possibility (...) of deliverance from it. This new translation of the first volume of what later became a two-volume work reflects the eloquence and power of Schopenhauer's prose and renders philosophical terms accurately and consistently. It offers an introduction, glossary of names and bibliography, and succinct editorial notes, including notes on the revisions of the text which Schopenhauer made in 1844 and 1859. (shrink)

The paper focuses on Schopenhauer’s idealism and investigates how its elaboration was related not only to Kant but also to Berkeley – a theme generally overlooked by scholars. Schopenhauer viewed B...

This edition includes an Introduction by David Cartwright, a translator’s preface, biographical note, selected bibliography, and an index.

The suitability of a new philosophical paradigm for geography needs to be assessed in the context of the questions it was designed to address and on the basis of clearly articulated criteria. Postmodernism, the latest contender for the attention of geographers, is here assessed in relation to Collingwoodian idealism. As an intellectual movement postmodernism arose in the unique circumstances of academic life in post Second World War France. In this rigidly structured academic environment a new generation of French scholars, well (...) schooled in the philosophies of Hegel, Husserl and Heidegger and the ideas of Marx and Freud, discovered the radical nineteenth century German philosopher Friedrich Nietzsche and drew upon his ethical and philosophical writings to address contemporary issues of power, knowledge, truth and modernity. All the central anti-humanist ideas of what was to become postmodernism are to be found in Nietzsche: a distrust of science and knowledge truth claims, the notion of multiple interpretations and the subordination of knowledge to power. This situated knowledge, set in the traditions of Continental thought, is not easily incorporated into the empiricist philosophies that have hitherto defined the mainstream of Anglo-American science and humanist scholarship including geography. Geographers need to retain a commitment to the foundational value of science, recognize human agency in the form of the conscious, thinking individual, and continue to affirm the empirical nature of human geographical research. (shrink)

Schopenhauer argues, in uniquely powerful prose, that self-consciousness gives the illusion of freedom and that human actions are determined, but that we rightly feel guilt because our actions issue from our essential individual character. He locates moral value in the virtues of loving kindness and voluntary justice that spring from the fundamental incentive of compassion. Morality's basis is ultimately metaphysical, resting on an intuitive identification of the self with all other striving and suffering beings. The Introduction by leading (...) class='Hi'>Schopenhauer scholar Christopher Janaway gives a clear summary of the argument of the essays in the context of Schopenhauer's life and works and the history of ethics in the modern period. --from publisher description. (shrink)

On the Suffering of the World is a collection of the later aphoristic writings of Arthur Schopenhauer, known for their incisive, aphoristic style and dark, pessimistic view of human existence. Edited and with an introduction by Eugene Thacker, On the Suffering of the World comprises a core selection of Schopenhauer's later writings, gathered together for the first time in print. These texts, produced during the last decades of Schopenhauer's long life, reveal a unique kind of philosophy, expressed (...) in a singular style. Eschewing the tradition of dry, totalizing, academic philosophy prevalent during the time, Schopenhauer's later writings mark a shift towards a philosophy of aphorisms, fragments, anecdotes and observations, written in a literary style that is by turns antagonistic, resigned, confessional, and filled with all the fragile contours of an intellectual memoir. Here Schopenhauer allows himself to pose challenging questions regarding the fate of the human species, the role of suffering in the world, and the rift between self and world that increasingly has come to define human existence, to this day. It is these writings of Schopenhauer that later generations of artists, poets, musicians, and philosophers would identify as exemplifying the pessimism of their era, and perhaps of our own as well. On the Suffering of the World is presented with an introduction that places Schopenhauer's thought in its intellectual context, while also connecting it to contemporary concerns over climate change, the anthropocene, and the spectre of human extinction. The book also includes a bibliography and chronology of Schopenhauer's life. (shrink)

The neglect of Schopenhauer's philosophy in the twentieth century led to his becoming associated in people's minds with his neat‐contemporaries, the Idealist philosophers Fichte, Schelling, and Hegel, when in fact he was a radically different sort of philosopher from them. Unlike them, he absorbed the empiricist tradition into his work and saw the enterprise on which he was engaged as having been launched by Locke. He hated the Idealists and their writings, regarding them as a poisonous influence. In (...) this he went too far, for their work had merits that he failed to appreciate and more in common with his own than he realized. (shrink)

This volume of translations unites three shorter works by Arthur Schopenhauer that expand on themes from his book The World as Will and Representation. In On the Fourfold Root he takes the principle of sufficient reason, which states that nothing is without a reason why it is, and shows how it covers different forms of explanation or ground that previous philosophers have tended to confuse. Schopenhauer regarded this study, which he first wrote as his doctoral dissertation, as an (...) essential preliminary to The World as Will. On Will in Nature examines contemporary scientific findings in search of corroboration of his thesis that processes in nature are all a species of striving towards ends; and On Vision and Colours defends an anti-Newtonian account of colour perception influenced by Goethe's famous colour theory. This is the first English edition to provide extensive editorial notes on the different published versions of these works. (shrink)

Persuasive and humane, this classic of philosophy offers Schopenhauer's fullest examination of ethical themes, articulating a descriptive form of ethics that contradicts the rationally based prescriptive theories. Starting with his polemic against Kant's ethics of duty, Schopenhauer argues that compassion forms the basis of morality, and he outlines a perspective on ethics in which passion and desire correspond to different moral characters, behaviors, and worldviews. He further defines his metaphysics of morals, employing Kant’s transcendental idealism to illustrate both (...) the interconnectiveness of being and the affinity of his ethics to Eastern thought. (shrink)

Excerpt from Schopenhauer-Brevier Werbe, hamit ber alte 8rrthum feinen breiten'. Blaß uochmalß ungeftört einnehme. daß ift bie Etaft ber 28ahrheit, beren (c)ieg fchwer unb müh= fam, aber hafur, wenn einmal errungen, ihr nicht mehr an entreißen ift. (mes am.) About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original (...) format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

This volume of translations unites three shorter works by Arthur Schopenhauer that expand on themes from his book The World as Will and Representation. In On the Fourfold Root he takes the principle of sufficient reason, which states that nothing is without a reason why it is, and shows how it covers different forms of explanation or ground that previous philosophers have tended to confuse. Schopenhauer regarded this study, which he first wrote as his doctoral dissertation, as an (...) essential preliminary to The World as Will. On Will in Nature examines contemporary scientific findings in search of corroboration of his thesis that processes in nature are all a species of striving towards ends; and On Vision and Colours defends an anti-Newtonian account of colour perception influenced by Goethe's famous colour theory. This is the first English edition to provide extensive editorial notes on the different published versions of these works. (shrink)

This volume of translations unites three shorter works by Arthur Schopenhauer that expand on themes from his book The World as Will and Representation. In On the Fourfold Root he takes the principle of sufficient reason, which states that nothing is without a reason why it is, and shows how it covers different forms of explanation or ground that previous philosophers have tended to confuse. Schopenhauer regarded this study, which he first wrote as his doctoral dissertation, as an (...) essential preliminary to The World as Will. On Will in Nature examines contemporary scientific findings in search of corroboration of his thesis that processes in nature are all a species of striving towards ends; and On Vision and Colours defends an anti-Newtonian account of colour perception influenced by Goethe's famous colour theory. This is the first English edition to provide extensive editorial notes on the different published versions of these works. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

According to one creation myth, analytic philosophy emerged in Cambridge when Moore and Russell abandoned idealism in favour of naive realism: every word stood for something; it was only after “the Fall,” Russell's discovery of his theory of descriptions, that they realized some complex phrases (“the present King of France”) didn't stand for anything. It has become a commonplace of recent scholarship to object that even before the Fall, Russell acknowledged that such phrases may fail to denote. But we need (...) to go further: even before the Fall, Russell had taken an altogether more discerning approach to the ontology of logic and relations than is usually recognized. (shrink)

A new, comprehensive English anthology What is the meaning of life? How should I live? Is there any purpose to the universe? Generations have turned to the great German philosopher Arthur Schopenhauer for answers to such essential questions of existence. His influence has extended not only to later philosophers—Nietzsche, Freud, and Wittgenstein among them—but also to musicians, artists, and important novelists such as Tolstoy, Thomas Mann, and Proust. The Essential Schopenhauer, the most comprehensive English anthology now available of (...) this seminal thinker’s writings, will open English readers to Schopenhauer’s profound ideas. Selected by Wolfgang Schirmacher, president of the International Schopenhauer Association, The Essential Schopenhauer is an invaluable and accessible introduction to Schopenhauer’s powerful body of work. (shrink)

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be (...) preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

This chapter contains sections titled: Genesis Logical Constants Converse Relations Acknowledgments References.

In his paper "Wittgenstein and Idealism" Professor Williams proposed a 'model' for reading Wittgenstein's later philosophy which he claimed exposed its transcendental idealist character. By this he roughly meant that Wittgenstein's later position was idealistic to the extent that it disallowed the possibility of there being any independent reality that was not contaminated by our view things. And he thought it was transcendental in the sense that 'our view of things' is not something that we can explain or can (...) locate in the world. I argue that even if we accept Williams' interpretation of Wittgenstein it does not follow that the latter sponsored any form of transcendental idealism. I make this case in several stages and on two different platforms. Firstly, I give a brief description of the underlying basis of Williams' interpretation. Secondly, I defend the general thrust of it against a critique which issued from Malcolm. Finally, I argue that the views ascribed to Wittgenstein by Williams do not make him into a transcendental idealist. On the one hand, this case is made by showing that there is a non-trivial resemblance between Williams' Wittgenstein and Donald Davidson who is a self-styled realist. On the other hand, I set out exegetical reasons for thinking that if the continuity that Williams sees between the Tractatus and the later writings actually exists then it provides reason in itself not to regard Wittgenstein as an idealist. (shrink)

Schopenhauer believed in the supremacy of will over intellect, and he wrote extensively on the motivations behind actions. These six essays, drawn from Parerga and posthumously published works, include observations on government, free will and fatalism, character, moral instinct, and ethics. They reflect the author's wide range of interests and offer an accessible approach to his_philosophy.